Gainsborough: a Portrait

by James Hamilton, Weidenfeld, £25

Thomas Gainsborough, it seems, could be a lot of fun. He enjoyed a drink, was loyal to his friends, unless they pressed their luck too far, and his banter with those who sat for his portraits usually went down well.

Yes, as James Hamilton concedes in this outstanding biography, Gainsborough was a “single-minded opportunist”, but he was a country lad who had known the “cold breath of poverty”, so we can hardly blame him for wanting to make a bob or two. Besides, he always took care of his family.

Gainsborough was also volatile, capable of slashing a canvas when things didn’t go his way, and rather contemptuous of the artistic establishment – he fell out with the Royal Academy on more than one occasion. Just as well, then, that he was a genius with the brush, and Hamilton analyses many of the great man’s works with a rare blend of vim and scholarly rigour.

We should not look, Hamilton says, for radicalism, great philosophical depth or much in the way of social commentary in Gainsborough’s work. The skill, flow and intricacy are more than enough to be getting on with. Hamilton takes us, in refreshingly straightforward narrative fashion, through Gainsborough’s life: from Suffolk to London, back to Suffolk, on to Bath, and to the capital once more.

​How to continue reading…

This article appears in the Catholic Herald magazine - to read it in full subscribe to our digital edition from just 30p a week

The Catholic Herald is your essential weekly guide to the Catholic world; latest news, incisive opinion, expert analysis and spiritual reflection